Artist Statement



"Painting is a study of our existence, spirit, and environment, derived from experiences in life. I choose objects that evoke childhood memories, create situations of atmospheric mystery, and bring visual interest through interaction. I’m intrigued by subtle shifts in value and color; yet seek a personal interpretation of the objects rather than a replication. Personality is revealed through the process of painting. Abstract remnants from my process remain visible in the final product. The hand must obey the spirit. "

May 24, 2010

Souvenirs of Solitude June 3rd

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Dolby Chadwick Gallery

 

Chelsea James Souvenirs of Solitude

June 3-26, 2010 Opening Reception: June 3, 5:30-7:30 www.dolbychadwickgallery.com Deep66x60email Chelsea James, Deep, 2010, oil on canvas, 66 x 60 Dolby Chadwick Gallery is pleased to announce Souvenirs of Solitude, an exhibition of new paintings by Chelsea James.  Having only recently earned her BFA, the impressionistic quality of James’ landscapes and interiors nevertheless reveals the measured stroke of a mature and confident artist.  She skillfully endows her traditional subject matter—an atypical choice for such a young age—with a sensitivity and lyricism verging on the precocious.  And though James’ paintings derive from her experiences within the world, they are also intimately mediated through the artist’s own temperament and interpretative sensibilities. [My paintings are] a reflection of who I am and what I've experienced. I choose objects that evoke childhood memories, create situations of atmospheric mystery, and bring visual interest through interaction. I'm intrigued by subtle shifts in value and color; yet seek a personal interpretation of the objects rather than a replication.  – Chelsea James Inspired by van Gogh’s drawings during a trip to Amsterdam, James’ abstracted renderings of San Francisco, Utah and Africa, amongst other settings, evoke the palpable atmosphere and formal unity of the Dutchman’s landscapes.  This same awareness of atmosphere’s affective power is evident in James’ most recent series of interiors depicting lone industrial sinks and vast institutional hallways.  Though bereft of actual human presence, half-empty bottles of soap, a folding chair, and pristinely polished floors give James’ scenes the imprint of recent occupancy. Desolation is overcome by a sense of quiet solitude and calm, a mood reinforced by James’ muted color palette and softly shifting tonalities.

seventh floor36x36email Chelsea James, Seventh Floor, 2010, oil on panel, 36 x 36 Chelsea James earned a BFA in Painting and Drawing from the University of Utah in 2006.  During her undergraduate career, she was the recipient of numerous scholarships and awards and has since shown work at a several galleries and museums throughout Utah and California.  Southwest Magazine, Salt Lake City Magazine and, most recently, Design Sponge, have praised her as a talented artist on the rise, one whose technical prowess and earnest imagination render her worthy of close attention.  This will be James’ first solo show at the Dolby Chadwick Gallery.

To see more images of the show or for more information about the gallery please visit www.dolbychadwickgallery.com or send an email toinfo@dolbychadwickgallery.com.

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Dolby Chadwick Gallery 210 Post Street Suite 205 San Francisco, California 94108

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May 14, 2010

New work

June 3rd
Dolby Chadwick
Solo Show
"Guthrie Sink"
24 x 24
Oil on panel
"Guthrie Sink 2"
24 x 24
Oil on panel
"Seventh Floor"
36 x 36
Oil on panel
"Studio B"
36 x 36
Oil on panel
"Sylvia"
36 x 36
Oil on panel
"Utility sink 2"
36 x 36
Oil on panel
"Utility Sink"
36 x 36
Oil on panel
yosemite
60 x 66
"Zim"
60 x 72
"Tahoe Trees"
48 x 60
"Split 2"
60 x 66
"Split 1"
60 x 66
"retreat"
48 x 48
"Glass"
48 x 60
"Crimson Valley"
60 x 66
"Deep"
60 x 66
"Altitude"

March 12, 2010

in progress


Dolby Chadwick called today and said they needed images right away of what I'm working on.  I am painting on all 27 paintings simultaneously, so none of them are done yet.  This way of working is good for a number of reasons; 1. It keeps it interesting, and therefore is I don't get bored,  2. the body of work seems to be more cohesive if I'm working a little on each painting every day, and 3.  I find that this produces higher quality paintings because what I am learning today, I can apply to a painting I started two months ago that is lacking.  So, there it is.  Don't judge me, these paintings are still in need of a lot of work.   I also hired someone to help with lu and the house so I can finish this monstrous show in time.  So, if you don't see or hear from me within the next couple of months, I will be hibernating in the studio. 

February 15, 2010

June at Dolby Chadwick

I have been working like a busy little bee for my art show in June at Dolby Chadwick.  My goal is to have 30 paintings ranging from 3 x 3 ft - 7 x 7 feet.    These are a couple of the paintings in progress - I'm doing a collaboration of interiors and large landscapes.  These are just the under paintings. In a couple of weeks, I'm painting with oils again.

inspiration wall
I work in chaos. Sometimes when I go to other artists studios and there's not a drop of paint anywhere, and it is spick and span, it boggles my mind. 

August 8, 2009

Interior show finch lane July 2009

"White Dresser"
Oil on Masonite
16 x 20
"Blue House Chair"
Oil on Masonite 
12 x 12
"Black Chair"
Oil on Masonite 
12 x 12
"Roselles Blue Chair"
Oil on Masonite 
12 x 12
"My Desk"
Oil on Masonite 
12 x 12
"The Judkins"
Oil on Masonite 
12 x 12
Oil on Masonite 
12 x 12
"Noon at Cocolalla"
Oil on Masonite 
12 x 12
"Piso 5"
Oil on Masonite 
12 x 12
"Piso 7"
Oil on Masonite 
12 x 12
"Piso 3"
Oil on Masonite 
12 x 12
"Vanity Mirror"
Oil on Masonite 
12 x 12
"Chairs in Line"
Oil on Masonite 
12 x 12
"Chair at Guthrie"
Oil on Masonite 
12 x 12
"Pink Bathroom"
 Oil on Masonite 
12 x 12
"Pink Bathroom 2 "
Oil on Masonite 
12 x 12